With his career track record, it would be easy to assume Kevin must’ve always known music would be his life’s passion. Other artists, like Montgomery Gentry (“Long Line of Losers”), Mark Chesnutt (“The Lord Loves a Drinkin’ Man”) and George Jones (dueting with Kevin on “Me and the Boys”), are among those who have recorded classic versions of Fowler songs. Whether it’s “Beer, Bait and Ammo,” “Cheaper to Keep Her,” “The Best Mistake I Ever Made,” “Don’t Touch My Willie” or any of the other unforgettable tunes that have seen him regularly perched atop the Texas music charts, Kevin’s music is the product of years spent perfecting his craft.Īnd he’s not the only beneficiary. A blend of in-your-face rockin’ intensity, tongue-in-cheek humor and captivating country storytelling, Kevin’s music has his standing-room-only audiences hanging on every word. Pretty much any city in Texas belongs to Fowler, but he will immediately point out that he is quickly growing in Oklahoma aĪnd anyone who’s ever been to a Kevin Fowler show knows he does far more than just talk the talk-the man delivers one of the most entertaining, high-energy performances you’re likely to see in country or any other genre, with a hard-ticket base that rivals many gold-selling artists. But if they come to the shows they are ready to have a good time for an hour-and-a-half, forget about their problems and forget about work on Monday.” “The musicians want to be there, the fans want to be there and I want to be there. “From day one I realized I couldn’t control what radio played and what video channels played, but the one thing I could control every night was the live show,” Fowler said. Backed by his trusty band he’s a dynamo – cracking jokes, hitting high notes, strumming his guitar and putting each of his fans in two-stepping mode. For those that have experienced Fowler onstage, then you know he brings unbridled musical muscle to the platform. Fowler has earned his reputation as one of the most amped-up concert performers to emerge from the modern day Texas country movement. The point behind each lyric, each guitar lick, and each twanging-rocking melody is the live show. The song crackles with all the beer joint energy that characterizes every creative fiber in Kevin Fowler’s body. But of course the first single, “How Country Are Ya?,” is quintessential Fowler. See? Told ya Fowler threw a studio party with his good friends and turned it into a record. Amy Rankin, one half of Austin’s The Rankin Twins, croons with Fowler on the emotionally evocative number “Before Somebody Gets Hurt.” San Antonio’s Grammy winners Los Texmaniacs crank up the South-of-the-border ambiance of “Borracho Grande.” Kingwood, Texas’ rebel-rouser Davin James lends his big personality to the hilarious “Chicken Wing.” And Huntsville, Texas newcomer Cody Johnson stirs straight-up country action on “Guitars and Guns.” Earl Dibbles Jr., the alter-ego of Dallas-bred Granger Smith, provides the disc’s no-nonsense intro. Plus, How Country Are Ya? is chock full of Texas-centric collaborations. I really felt like I wanted to make music closer to all my anthems that people scream along to at shows.” I wanted to feel right at home, go back to the well, and not get into any outside influences. “But this one is on my own label with my buddies like we used to make records. “The last couple of records have been on Nashville record labels,” Fowler said, referring to 2007’s Bring It On, released on Equity Music Group, and 2011’s Chippin’ Away, released on Average Joe’s Entertainment. One of the most potent songs on How Country Are Ya? is “Panhandle Poorboy,” a completely autobiographical piece that’s clearly the centerpiece of Fowler’s mindset during the creation of the disc. A year in the making, the album features 15 fresh tunes (he wrote all of them except for the raucous instrumental “Mousturdonus“) and was produced by Ken Tondre, Fowler’s drummer, at Tondre’s The Compound Recording Studio in Austin. How Country Are Ya? – Fowler’s seventh studio album and his first for Kevin Fowler Records in a joint venture with Nashville’s Thirty Tigers - is the good-timing, tradition-steeped and honky-tonk-stomping Amarillo native’s return to basics effort. Texas country singer-songwriter Kevin Fowler took a couple of years to take stock of his artistic career, launch his own record label, then write and record How Country Are Ya? the old-fashioned way. Reflection is the catalyst to coming full circle.
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